LSFLSM

这是一个我们直接与金属零件面对面创作的过程。
作品被等比例放大十倍后，保留了上面的一切细节：螺丝、螺帽、螺栓等显著细节在组合的过程中被强化，性别特征被刻意强调出来。
在全球后工业时代的背景下，拥有自身历史的周遭工业品物件从从前的功能中脱离出来，生命被重新注入，感观与美感被培养，允许发展成想要的形式，他们变得似乎是与生俱来的纪念物，拥有掌控一座空间的能量，散发一丝细腻的感性，邀人触摸的原始力量。
具有多重指涉性质，文化、感官、对话……

It began with metal. The creative process meant coming face to face with many different pieces of metal and engaging with them all.
The art was made so that each piece was ten times larger than the original metal parts, but everything was kept in proportion and all the details were maintained. The distinct details of the screws, screw caps, bolts (and so on) were strengthened and emphasised during the construction process, and the gender characteristics of each figure were accentuated.
In the shadow of the global post-industrial era, products with their own history have been separated from their old functions. Here, life is poured back into them, a new way of looking at these pieces is created and a different aesthetic sense is developed.
These industrial products have perhaps now found their true form – they seem to be monuments to nature and existence. Containing a universal energy, an almost cosmic force, they send out beautiful feelings of love, which attracts people’s instincts to reach out, touch and share strength.
The significance of these pieces of art can be found on multiple levels, from the natural to the cultural, to playing with people’s senses to creating and encouraging dialogue.

小组成员：
Liuyaoyuan Diaoyong
Gaoyuan Tangliang
email:lsflsm@126.com